We are in London for the holidays and the other night we went to see the spectacle of “Slava’s Snowshow” at the Royal Festival Hall. It is no wonder it has been a hit in over 80 cities around the world. It truly transports every adult in the audience to a child-like state of wonder and glee. The kids don’t need any help – they’re already there. Slava Polunin is a Russian performance artist and clown who, along with his troupe of clowns, is the genius behind several other stage spectacles, including Diabolo, coined a “comical meditation on life, death and the beauty of the universe.”
What makes Slava Snowshow such a wondrous experience in simplicity and beauty is not only the humour in each skit, but I think the audience’s experience of becoming part of the spectacle itself. There is no dialogue throughout, but each segment is accompanied by any amazing soundtrack which is comprised of some familiar yet unexpected pieces – music from the film Black Orpheus, Paolo Conti, and Carmina Burana, for example.
‘Snow’ comes down on the audience, thick, tangly spider webs are passed back by the audience from the first row to the last, gusts of wind, light and snow are blasted at us in a climactic moment of Carmina Burana fervor, and finally, ginormous, brightly colored balloon-like balls are released into the theater and batted around the audience. The culmination of which turns the theater-going experience on its head as the clowns end, sitting on the stage, bemusedly watching their audience become children again and the auditorium is transformed into a joyous free for all where no one is left sitting down.
This might not appeal to everyone, but we certainly enjoyed it and it was oh so lovely to see L, who at times I can worry myself into thinking has become jaded by video games, swept up in awe and excitement at some good old fashioned theatrical spectacle.
writer-director-actress, author, improviser, mother, traveler, digital nomad